數碼水彩獨幅版畫

DavidMaddrell博客轉載

數字水彩

“DigitalWatercolour” is a term I am using to describe a method of makingoriginal prints using paintbox software.“數碼水彩”是我用來形容製作原創版畫用顏料盒軟件的方法的術語。

Thestarting point for me is a watercoloursketch.起點對我來說是一個水彩素描。 This is scanned into the digital environment of apainting program.這是掃描到數字繪畫程序的環境。 This sketch gives a great ground which I thenpaint into with gusto, adding, softening, blotting, strengthening,highlighting.. the list isendless.這個小品給出了一個偉大的理由,我再搽成津津有味,添加,軟化,印跡,強化,突出......名單是無止境的。All myusual artistic skills come to bare in thismedium.所有我平時的藝術技巧來在這個媒介裸露。

Theprint is then printed with archival paper and inks using aprofessional inkjet printer.打印,然後印有檔案紙,並使用專業的噴墨打印機墨水。Theprints fulfill their “original” status by the fact that they arenot facsimilie reproductions of otherworks.印刷品的事實,他們不是其他作品的facsimilie複製品履行其“原始”狀態。I havebeen asked many times if the “original painting” is forsale.我已經問過很多次,如果“原畫”可以轉讓。 Sorry folks, these prints only exist as originalprints, 1/10.對不起鄉親,這些版畫僅存的原始照片,1/10。

Theprograms I use are 'Painter' and 'Photoshop', essentials in anycontemporary artists toolbox.我使用的程序是“畫家”和“Photoshop的,在任何當代藝術家工具箱要領。I havean interesting use for 'Illustrator'looming.我有一個有趣的用法“插畫”若隱若現。 I'll have to get a handle on vector graphics forthat though!我必須得到矢量圖形,雖然手柄!

Thedigital watercolours I have in the show are well documented on thesite in the posts:-數字水彩我在表演是有據可查的在網站上的帖子: -AutumnalMagic (November 6th, 2007)秋季魔術(2007年11月6日)A LittleGathering of Sunlit Buildings (November 6th,2007)陽光照射建築物的一個小聚會(2007年11月6日) The following images are the latest digitalwatercolours to be added.下面的圖像將被添加最新的數字水彩。

'RustyRoof, Cregneash'

“生鏽的屋頂,Cregneash”


“樹,東鮑德溫谷”(也稱爲“樹和天空,東鮑德溫谷”)


“樹打磨過長城,東鮑德溫'


“懸崖頂的樹木,格倫馬爺”蒙納400 x 400毫米(圖像尺寸)

One ofmy personal favourites.我的一個個人的最愛。 Thelight blissfully burning away the solidity of the trees at the top,then filtering through the filigree of foliage, finishing with thecliff face all shaggy ferns andivy.光福地燃燒掉的樹木堅固的頂部,然後通過樹葉的掐絲過​​濾,與崖面所有毛茸茸的蕨類植物和常春藤整理。Has alot to do with the feel of descending into the atmosphere of GlenMaye.有很多事情要做,降入幽谷馬爺的氣氛的感覺。


“瀑布夾縫處,格倫馬爺”蒙納400 x 400毫米

Theclose in view gives this print a more abstractfeel.收盤在視圖給出了這樣的打印一個更抽象的感覺。 The blistering white of the turbulence caused bythe central rock and it's subsequently caught branch contrast wellwith the dark surrounding rock and the poolbeyond.湍流的起泡白引起中央的岩石,它的隨後陷入分支的對比以及與黑暗圍巖及以後的游泳池。Thisframing focuses the composition on the energy of the watercoruscating with vitality.這個框架着眼於水與活力煥發的能量組成。


“海噴霧,海景'蒙納400 x 400毫米(圖像尺寸)

Thesilvery lightness of the sea works well with the crashing foam asone wave subsides into the path ofanother.海的銀色的光亮度能夠很好地處理了泡沫崩潰爲一體的餘波到另一個路徑。Thestrata of the black rocks look like pages of the island carved instone, lichen punctuating the velvetyblack.黑色的岩石地層的樣子刻在石頭上的島嶼,地衣標點天鵝絨般黑色的頁面。


“搖滾池2'蒙納400 x 400毫米(圖像尺寸)

I likethe contrast of the black heavy rock and dark pooling of the centrewrapped around with silvery greystone.我喜歡黑色的重搖滾和中心纏着銀灰色石頭的暗池的對比度。 All of this interlaced with the sparkle of lighton water.所有這一切交織與光對水的火花。 A micro cosmos at play in a rockpool.一個微宇宙在一個岩石游泳池玩。


獨幅版畫作品




夢想與現實之間的磨合讓我讀懂很多生活的語言,風雖改變了方向,卻沒有改變我的行程-----

來源網址:_感謝獨茂蘭石授權轉載,再轉請保留本信息。


相關文章